As an AI language model, I don’t have personal opinions, but here’s an example of what a review could look like:
If you’re looking for a classic comedy that will make you laugh out loud and leave you feeling good, Some Like It Hot (1959) is definitely worth watching.
The film follows the misadventures of two musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon), who accidentally witness a mob hit and need to go into hiding. To avoid getting found by the mob, they dress up as women and join an all-female band on tour. Things get complicated when Joe falls for the gorgeous singer Sugar Kane (Marilyn Monroe), but can’t reveal his true identity.
The acting in Some Like It Hot is top-notch. Curtis and Lemmon are a perfect comedic duo, and their cross-dressing antics are hilarious. Monroe, of course, is stunning and charming as always, and her musical performances add some great entertainment value to the film.
The script is clever, with plenty of witty one-liners and hilarious situations. The film also has some nice social commentary on gender roles and stereotypes, but never takes itself too seriously.
Some Like It Hot is an all-time classic for a reason. It’s a fun, lighthearted comedy that has stood the test of time. While some elements may be considered outdated by today’s standards, the film remains a timeless classic that is sure to make you smile.
Lesson about Some Like It Hot
The lessons we can take from the movie Some Like It Hot (1959) are about the power of love and the importance of pursuing one’s passions.
The Best of Some Like It Hot
- 1. Memorable performances: “Some Like It Hot” is widely regarded as one of the greatest comedies in film history, in large part thanks to the unforgettable performances of its stars. Jack Lemmon and Tony Curtis are pitch-perfect as the cross-dressing musicians who flee Chicago after witnessing a gangland murder, while Marilyn Monroe‘s turn as the spunky and sultry Sugar Kane adds a layer of glamor and charm.
- 2. Clever plot: The movie’s plot is both absurd and ingenious, weaving together elements of mistaken identity, farce, and screwball comedy. Director Billy Wilder deftly navigates the film’s many twists and turns, taking viewers on a joyride through Prohibition-era Chicago, a millionaire’s yacht, and a Florida hotel brimming with colorful characters.
- 3. Timeless humor: Despite being over six decades old, “Some Like It Hot” still manages to elicit laughs from viewers today. The film’s witty dialogue, physical comedy, and slapstick antics hold up remarkably well, and its sharp satire of gender roles and social mores feels just as relevant in the present day as it did in the 1950s.
Week points of Some Like It Hot
- 1. Transphobic content: The movie often employs transphobic humor and uses cross-dressing as a comedic device, which is disappointing in a film made in 1959. Some of the characters make derogatory remarks about cross-dressing, and the overall message seems to be that men in feminine clothing are objects of ridicule.
- 2. Pacing issues: While Some Like it Hot has memorable moments, including the iconic ending, the overall pacing of the movie can feel sluggish at times. Some scenes drag on for too long, which can take away from the sharp wit and clever dialogue that makes the movie memorable.
- 3. Lack of diversity: The film features an all-white cast, which feels outdated and doesn’t reflect the diversity of the world we live in. While Some Like it Hot was made in a different era, contemporary audiences may struggle to connect with the movie due to its limited representation of different races and cultures.
Technical details of Some Like It Hot
Title | Some Like It Hot |
---|---|
Year | 1959 |
Rated | Passed |
Released | 19 Mar 1959 |
Runtime | 121 min |
Genre | Comedy, Music, Romance |
Director | Billy Wilder |
Writer | Billy Wilder, I.A.L. Diamond, Robert Thoeren |
Actors | Marilyn Monroe, Tony Curtis, Jack Lemmon |
Plot | After two Chicago musicians, Joe and Jerry, witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords. |
Country | United States |
Awards | Won 1 Oscar. 15 wins & 15 nominations total |